Marie Antoinette

[liaku]

What pisses me off most about the Bremen Marie Antoinette recording is that Weil Ich Besser Bin is such an awful song to listen to, but composition-wise, I think it's the best song on the recording.  Thomas Christ singlehandedly makes it boring as hell.  I'm actually impressed by how badly he sings it.  I almost think I could do a better rendition with the right equalizer settings, and if I think I can do better, it's a pretty damn bad performance since I can't sing for shit.  That being said, I don't really like Blind vom Licht, but it's so catchy!  I've found myself humming it lately.  In general though, I'm not too excited about this musical.  I don't think it's an Elisabeth rip-off at all; I mean, you can tell it's the same composer since the instrumentation is often similar, but certainly no one was criticizing Beethoven or Mozart for not varying their composition styles too much over their career.  I just think it's boring and the themes rather scattered--but good sets, costuming, choreography, etc can all salvage my opinion of it easily.  Also, my German is possibly worse than my Japanese, so I really have a hard time figuring out what's going on, so that might be part of why I don't like it very much.

My German is so not worse than my Japanese.  I hope.

State of the Blogger: Barnard application complete, NYU app almost complete minus one particularly stupid short answer question--but common essay needs an extra round of editing.  Part I of Columbia application sent, application fee paid.  All other essays untouched as of now.  List and Space Cowboys untouched because I suck like that.

Comments

[valancystar.livejournal.com]

The character's supposed to be an antagonist, but I think with these lyrics he comes across as way two-dimensional and rather silly. Still, a good actor could salvage a lot. Think Borchert - he's used to bad lyrics with Wildhorn, after all. :P

Yeah, I love Jenseits alle Schmerzen, too. But I actually love most of the music. It's not one of Levay's best scores on a whole, but there's just some subtle, often dreamlike beauty about it that I adore. I can see how it doesn't appeal to everyone, though. One of my favourites is "Wenn (Maskenspiel)" because of this dreamlikeness. I like "Still, still" but it does sound a lot like a lullaby.

[solyndra.livejournal.com]

I have no idea who the character is, actually. =P The cast recording doesn't give me a good introduction.

The dreamlike beauty is what I love about it too. It's like a calm, relaxing journey. It's just that I don't feel there are a lot of songs that really stand out, and I think there could have been more.
Wenn (Maskenspiel) is quite nice, but I can't figure out who's exactly singing what. (Or maybe I'm not paying enough attention, another good possibility.) It'll probably be loved much more by me once I've figured that out.
And yes, it is quite like a lullaby. It makes me sleepy.

[valancystar.livejournal.com]

At some point there were character descriptions on the DramaMusicals website, but not now, I think. There's a synopsis though, have you checked that out? It might help you figure out what's going on. Anyway, Orléans is a relative of the King's who joins the revolutionary cause for advancement of his own ambitions (that's the musical's take on his motives anyway, I don't remember enough of the historical character to say).

It took me a while to learn who's singing what in Wenn, but now I can follow it. Takes a bit of listening to tell everyone's voices apart because they all sing in such a dreamlike way. I think it starts with Antoinette and Fersen, and then moves on to Margrid and Orléans, but then I lose track a bit. :P

[solyndra.livejournal.com]

I've never found character descriptions, but I've read the synopsis. I sort of know where to place the songs, me thinks. Whether it's correct is another thing. xD
Hm, okay. =P; He does sound quite flat in the musical then..

Haha, that's what I had too. XD